Celtic Music and Electronic Music: Clannad & Enya

Leggi in italiano

From Gweedore, a small town in Donegal which boasts the largest number of musicians per square meter, in the early 70’s three children of the Brennan family (Ciáran, Pól, Máire) and two uncles of the Duggan family (Noel and Padraig) founded the Clannad, an clann as Dobhar, “the original family of Dore”, a musical group linked by blood but also by the same passion for traditional Irish music (and the music of the Pentangle): harp, mandola, flute, guitar and electric bass and above all the voice of Máire (Moya).
The atmospheres are delicate, the songs are in Gaelic, but the turning point comes in 1982 with Fuaim (pronounced fùum “Sound”) when the group appears in sextet with the addition of the younger sister Eithne (Enya) – in the group from 1979.

An tull ‘(the apple) is a traditional piece in Irish Gaelic arranged by Ciarán Brennan & Pól Brennan

English translation
I
I have a new story to tell you
It’s good crack and chat over drink
A fine lovely apple I put in my pocket (1)
And all I found was a seed potato
Chorus:
Oh sadly my eyes cry
After that fine yellow apple
And the lovely young woman
who gave it to me
And I’d give a pound to taste it again
II
I walked Clare Island and Fastnet rock
The bays of of Béara Island were before me on the way
Puinte na nGréige and Dorsaí Maola
The raven and the calf outside of Bhaoi (2)
III
I walked through Cualach because I was sad
The northern parish and Eyeries
On the Island of Muarseadh a young man told me
That I wouldn’t get word of her until I’d tie the knot (3)
IV
I walked through Cobh and Ballinamoney
Cathar Tún Tóime and Sherkin Island
On the east coast someone told me
That it was the laughing stock of Kenmare
Irish Gaelic
I
Tá scéilín nua ‘gam le h-insint dóibhse
Cúrsaí spóirt agus comhrá dí
Úll breá gleoite do chuireas i mo phóca
‘S ni bhfuaras romham ach prátín síl
Curfá:
Ó mo thuirse mar shileann mo shúile
Indiadh an úll ud a bhí breá buí
An óig-bhean uasal bhí t’reis é thabhairt domh
‘S do thabhairfinn púnt ar é bhlaiseadh arís
II
Do shiúlais Cléire agus Carraig Aonair
Cuanta Béara bhí romham sa tslí
Puinte na nGréige ‘gus na nDorsaí Maola
An fhiach ‘s an lao taobh amuigh de Bhaoi
III
Do shiúlais Cualach mar a bhíos buartha
An pharoiste thuaidh a ‘s na hAdhraí
San oileán Muarseadh d’inis dom buachaill
Nach bhfáilghinn a thuairisc go dtéinn thar snaidhm
IV
So shiúlios Coíbh agus Baile na Móna
Cathair Tún Tóime ‘gus Inis Seircín
Soir ar a chósta sea d’inis domh stróinse
Go rabh sé ‘na sheo acu ar Sráid Néidin

NOTE
1) the apple is a metaphor for sex
2) probably the local name given to rocks due to their shape or shape
3) way of saying to get married

The song that climbs the charts bringing the group to the forefront is however “Theme from Harry’s Game” from the BBC television: it is the music that will distinguish them in the years to come, evocative sound carpets, solemn and majestic choirs, something of mystical in that fairy and magical Gaelic.

Moya Brennan vs Enya

Questa immagine ha l'attributo alt vuoto; il nome del file è enya.jpg“Enya” was Enya’s debut album in 1987 and was reprinted in 1992 with the title “The Celts” when the singer was now known internationally (an extraordinary success achieved without having practically ever done a live concert). Originally the musical project was born as a soundtrack to the BBC documentary on the Celts (broadcast in 1986) electronic music in post-production, composed in front of a synthesizer to which are added multiple overlaps and the “ethereal” effects that are the style of Enya.
That supernatural aura is a product of the most modern musical technology and the collaboration of three minds: Enya who composes the music (filtering his background of classical studies and traditional Irish music), plays (superbly) the keyboard and sings; Nicky Ryan, the producer and arranger (who had the genius to apply the technique of multivocals, the choirs with the overdub, to the voice of Enya) and Rome Shane Ryan who writes the lyrics in different languages ​​(English, Gaelic, Spanish, Latin and languages tolkeniane).
Not least important are the videos punctually produced for the launch of the albums, which to a good extent satisfy the need for artistic visibility for the audience of a musician who does not like performing live.

THE CELTS

THE PLOT

Between a flight of doves, the crown of sovereignty (the Celtic inheritance) is placed in a silver casket from two white-dressed girls, in a fade of light emerges a lady (Enya) riding a white steed and wearing on the long robes of medieval style with a red cloak edged and gold embroidery.
While the tolling of the bell rung by the Christian monks marks the beginning of the melody, the dame goes beyond the hall of the turreted castle (in whose courtyard the bell is found) and gallops past the long wooden bridge that joins the islet to the mainland.
On the fade it appares the image of the two girls wrapped in a supernatural light, they await the arrival of a knight, who kneels before them.
The scene takes place within the walls of a ruined castle, decked with red drapes and swept by the wind, in one corner a sword stuck in the rock (a tribute to the Arthurian myth); after delivering the treasure chest, the two ladies head towards a Magical Portal decorated along the edges with embossed friezes, beyond which opens the vision of the World of men: we understand that girls are two fairy creatures in the Other World gazing the world of men.
The face in the foreground of Enya connects the continuation of the story, even the knight is now in the real world (and the colors are more vivid) and is in search of the lady.
The lady, after having gone into the woods, reaches a gorge where she meets a sylvan creature, the guardian spirit of the place. Here Enya begins to sing and we see her following the guardian spirit on foot, who reveals a cave suffused with an unearthly light in which an old king with a white beard (king Arthur) is sleeping on a golden throne. The king holds in his hands a stick surmounted by an emblem depicting a rooster with a dragon’s tail (still a reference to the Celtic heritage): the fairy teases him with a feather and the king wakes up from sleep and beats the his stick on the ground; a crepuscular light darts among the leaves of a majestic oak in a swirl of leaves, the image of one of the two girls next to the sword in the rock that rises awakened by the thunder appears in fading: in the sky shrouded in clouds a lightning and as soon as the fog clears we see a floating boat carrying the lady (the tribute here goes to the lady of Shalott and to the painting by John William Waterhouse).
Here, finally, even the knight reaches the river and the shore on which the boat has landed and kneeling when the lady opens the fairy chest from which a very white light is released that dissolves everything.


Life of lives (1),
Beginning to the end.
We are alive
Forever.
Hi-ri, Hi-ro, Hi-ri.
Hoireann is O, ha hi, ra ha, ra ho ra.
Hoireann is O, ha hi, ra ha, ra ha ra.
Hi-ri, Hi-ra, Hi-ri.
Saol na saol,
Tus go deireadh.
Ta muid beo
Go deo.

NOTE
1) to say: “for ever” or “endless world”

OF THIS LAND

“Of this Land” in the “Landmarks” 1997 album (John McSherry, Ian Parker, Anto Drennan, Deirdre Brenna), summarizes the misty and melancholy atmospheres that characterized the Celtic music of those years, the instruments are traditional, but the keyboards and the synthesizers introduced at the time by Enya, who has now embarked on a dazzling solo career, are the characteristic sound carpet of the Clannad and their mysticism: in the Nineties the group returns to the celtic spirituality that had distinguished them before the pop drift, and recorded four “artistic maturity” albums: Anam, Banba, Lore and Landmarks.


I
How gentle was the breeze
that surrounded the way
How loud the sea’s roar on the four
winds everyday
Sharing love, wounded gifts (1) from
ancient long ago (2)
together they closed in
the circles we know
[CHORUS:]
Will we treasure all the secrets
with life’s changing scenes (4)
Where our hearts were warm with love
So much love
Will the flowers grow again
as I open out my hand
Precious time
Time for healing
The beauty of this land
[repeat Chorus]
II
How soulful those words
that confuses the way
How wild the mountains stare
as they guard our everyday
Take for granted noble hearts
in the golden age that’s flown
Between us recall on
a strong road
we’ve known
[Chorus]
“Of this land “is a tribute to Ireland and the text is obscure, patinated by legend.
NOTE
1) shared love (given and received) versus a wounded gift, offended in a broad sense betrayal, on the one hand the true love and from the other false love
2) I am reminded of the phrase coined by Robert Burns auld lang syne
3) “Through all the changing scenes of life” is a hymn

In 1995 Pól Brennan left the group for a solo career and Moya devoted herself to her solo musical projects starting from 1992 with the album Máire.
Formally the Clannad never broke up even though they took a good record break after the release of Landmarks, the last studio album is 2013 Nádúr (Nature)

Follow the reviews of Enya and Clannad on Terre Celtiche BLOG  with
tag Clannad
tag Enya
tag Moya Brennan

LINK

http://www.ondarock.it/popmuzik/clannad.htm
http://www.folkbulletin.com/clannad-christ-church-cathedral-arc-music-eucd-2441/
https://currerjames.wordpress.com/2008/10/21/il-disco-watermark-di-enya/
http://www.radioswisspop.ch/it/banca-dati-musicale/musicista/21538b32cbaf701a79012661b70c99d0460d6/biography
http://www.pathname.com/enya/celts.html

http://www.celticlyricscorner.net/clannad/antull.htm
http://www.celticlyricscorner.net/dervish/antull.htm
http://www.bearatourism.com/bweyeries.html
http://www.taramusic.com/sleevenotes/cd3008.htm

http://enya.sk/lyrics.php

So I Could Find My Way (Enya)

From Enya‘s album ‘Dark Sky Island’ (2015) a love song dedicated to all the moms: ‘So I could find my way’
[Dall’album di Enya “Dark Sky Island” (2015) un canto d’amore dedicato a tutte le mamme]
In her web’s note she writes ” ‘So I could find my way’, this is a song I dedicated to Nicky’s mother. When I moved to Dublin to work with Nicky and Roma, I got to know her very well. Mona was her name and she passed away a few years ago. I got very close to her. On writing the melody, I felt it was appropriate to dedicate the song to her. It’s a slow melody, very emotional.
This is something that is quite universal when the mother moves on. You think about what you left behind in your life. That’s what you’ll always remember
.”

[Nella sua nota sul web scrive ““Così ho potuto trovare la mia strada” è una canzone che ho dedicato alla madre di Nicky. Quando mi sono trasferita a Dublino per lavorare con Nicky e Roma, ho avuto modo di conoscerla molto bene. E’ morta alcuni anni fa, mi sono avvicinata molto a lei. Scrivendo la melodia, ho ritenuto opportuno dedicarle la canzone: è una melodia lenta, molto emozionante.
Qualcosa che è assolutamente universale quando una madre volta pagina. Pensi a ciò che hai lasciato indietro nella tua vita. Questo è quello che ricorderai per sempre.
“]

Music: Enya
Lyrics: Roma Ryan


I= IV
A thousand dreams you gave to me
You held me high
You held me high
And all those years you guided me
So I could find my way
II
How long your love had sheltered me
You held me high
You held me high
A harbour holding back the sea
So I could find my way
Chorus
So let me give this dream to you
upon another shore
So let me give this dream to you
each night and evermore
III
Yet only time keeps us apart
You held me high
You held me high
You’re in the shadows of my heart
So I can find my way
(Chorus)
Traduzione italiano Cattia Salto
I
Mi hai dato mille sogni
(mi hai dato la carica
mi hai dato la carica)
e in tutti quegli anni che mi hai guidato,
così ho potuto trovare la mia strada
II
A lungo il tuo amore mi ha protetto
(mi hai dato la carica
mi hai dato la carica)
come il porto che trattiene il mare
così ho potuto trovare la mia strada
Coro
Così lasciati donare questo sogno
su un’altra sponda
lasciati donare questo sogno
ogni notte, eternamente
III
Tuttavia solo il tempo ci tiene separate,
(mi hai dato la carica
mi hai dato la carica)
sei nelle profondità del mio cuore
e riesco a trovare la mia strada
Coro